“I knew that Iain had done some drawings – I saw them way back in the 1970s, so I knew they existed,” said MacLeod. “But I didn’t know quite how many there were. It was Adele Hartley [Banks’s wife] who found them. Iain was a very organised writer and a very organised person … Many of them are very clearly labelled, but there are one or two that you need to have read all of the books to see what they’re about. We sifted through them together.”
The previously unseen images are a mix of drawings, maps and sketches. MacLeod described them as “very carefully drawn” and “the first imaginings of the Culture universe”, ranging from ships to planet designs.
“Iain used them in his own world-building – as he designed the Culture universe,” he said. “They were also a very convenient aide memoire to him, I would imagine. One of the things I find in writing space opera is that it is incredibly annoying to have to flick back through a manuscript to see how fast a particular spacecraft can go, or the size of a particular planet.”
MacLeod is embarking on a reread of all of the Culture novels in order to pull the book together. “I’m particularly struck with how he has a consistent imaginary physics which enables all these types of faster-than-light travel, for example,” he said. “The pictures would have helped with that consistency.”
MacLeod said working with his old friend’s papers was an emotional experience. “I read all of the early novels in manuscript. It’s quite moving for me to revisit them. There is a real pleasure in it – I’ve read and reread them over the years, but this is, for me, going to be a close rereading all at one go, and then relating passages in them to the drawings.”